Apple iPhone 7 Plus will bring light-field photos to the masses
Apple introduced the iPhone 7 Plus, offering dual cameras for first time in an iPhone. The iPhone 7 has a six-element f/1.8 aperture 58mm lens, optical-image stabilization and 12-megapixel sensor, while the Plus version adds a second 12-megapixel camera with a 28mm wide-angle. The user will be able to choose a 2x optical zoom and a 10x digital zoom.
The dual 12-megapixel cameras will also enable a new depth-of-field effect, using both cameras on iPhone 7 Plus to capture images. This effect, called “Portrait,” will be released as a software update later this year.
Of course, Apple isn’t the first company to introduce dual-lens smartphones; They just act like they are. LG, Huawei and HTC have introduced dual-lens versions of their products, sometimes with an emphasis on 3D photography (as in 2011’s LG Optimus and HTC Evo 3D).
The proposed “Portrait” mode is another implementation of light-field technology, where multiple lenses are used to gather information about a scene to allow for additional focus options. The now-defunct Lytro cameras had this “post-focus” as a major feature, where different focal points could be chosen in a photo, after capture. While innovative in design and a frequent subject of glowing press reviews, Lytro cameras never really took off, and the company has pivoted to VR applications.
More recently, the Light Co. launched its 16-lens L16 light-field Android-powered light-field camera. This brick-like camera hasn’t yet started shipping, despite a lengthy PR cycle, but early looks have shown the L16 to be much more versatile than Lytro still cameras – although still very pricey.
The introduction of the iPhone 7 Plus could actually be a boon to light-field photography. Most consumers have no idea the technology exists, and if there’s one thing Apple is good at, it’s bringing complex actions down a level the every day consumer can learn. Insiders tell me one of the challenges of cracking the light-field camera code is getting correct the UX/UI; the technology is actually pretty straightforward.
Apple hasn’t disclosed any more dual-lens features for the iPhone 7 Plus other than the “Portrait” mode. If the Cupertino crew don’t develop the smartphones innate dual-capture capability, I’m sure a third-party app developer will. This would be a Camera+ update worth paying for!
Once iPhone 7 Plus users start using these computational photography features, it may whet their appetite for more advanced capabilities in cameras like the L16.
One more thing…
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Interestingly, the Apple implementation is reminiscent of a breakthrough V-series series of Eastman Kodak dual-lens digital cameras from the mid-2000s. Starting with the EasyShare V570 in 2006, the V-series featured two lens and sensor systems. The sleek, inch-thin camera had a 23mm ultra-wide angle lens and an 39-117mm optical zoom lens, secured behind a sliding lens cover. The 5 megapixel camera had a 2.5-inch LCD screen and a “photo frame” dock. The model won a gold medal in the 2006 Industrial Design Excellence Awards. Kodak followed up with two more dual lens models, the 6-megapixel EasyShare V610 and the 7.1 megapixel EasyShare V705.
Since Apple bought EK intellectual property in the bankruptcy fire sale of 2012 , it does make you wonder if some of that Kodak technical goodness lives on in the iPhone 7 Plus.